As I reflect on this week’s 52 Frames Challenge, centered around the theme “New Technique,” I find myself eager to share a few images that didn’t make it into the spotlight. The chosen theme led me down the enchanting path of white on white still life photography, and although only one image was submitted, there’s an untold narrative behind the others.

One of the unsubmitted gems revolves around the delicate dance of light and shadows on pristine white surfaces. In this particular photograph, a collection of objects was carefully arranged to explore the nuances of texture and form within a monochromatic palette. It may not have found its place among the selected entries, but it encapsulates the silent elegance inherent in white on white compositions.



Another image that stayed in the shadows showcases the subtle beauty of minimalism in still life photography. A wire whisk bathed in the soft white of whipped cream. The shadows and curves are delicate and delightful. Just like the sweet treat.

These unseen images tell a tale of experimentation with a new technique—a journey that unfolded beyond the confines of the challenge gallery. White on white still life photography presented an opportunity to play with contrasts, explore the interplay of light and whiteness, and uncover the grace in simplicity.

Choosing which image to submit is akin to selecting a chapter from a larger narrative. Each photograph not only captures a moment frozen in time but also serves as a visual expression of the artist’s evolving perspective. As I share these unsubmitted pieces, I invite you to join me in appreciating the diverse facets of white on white still life photography that didn’t quite make it to the forefront.




Feel free to share your thoughts on these unseen moments, and perhaps, together, we can unravel the rich tapestry woven by the exploration of a new technique. After all, it’s the shared experiences, both in success and in the lesser-seen attempts, that make the 52 Frames challenge a journey worth cherishing.


The Submission. . .
